Monday, August 27, 2007

your little voice by e.e. cummings

your little voice
Over the wires came leaping
and i felt suddenly
dizzy
With the jostling and shouting of merry flowers
wee skipping high-heeled flames
courtesied before my eyes
or twinkling over to my side

Looked up
with impertinently exquisite faces
floating hands were laid upon me
I was whirled and tossed into delicious dancing
up
Up
with the pale important
stars and the Humorous
moon
dear girl
How i was crazy how i cried when i heard
over time
and tide and death
leaping
Sweetly
your voice

--Kate

Wednesday, August 22, 2007

At Least the Soundtrack will be Good






The new movie I'm eagerly anticipating.
At once gritty, whimsical and highly theatrical, Revolution Studios' Across the Universe is an original movie musical springing from the imagination of renowned director Julie Taymor (Frida, Titus, and the Broadway smash hit musical "The Lion King") and writers Dick Clement & Ian La Frenais (The Commitments).

A love story set against the backdrop of the 1960s amid the turbulent years of anti-war protest, mind exploration and rock 'n roll, the film moves from the dockyards of Liverpool to the creative psychedelia of Greenwich Village, from the riot-torn streets of Detroit to the killing fields of Vietnam. The star-crossed lovers, Jude (Jim Sturgess) and Lucy (Evan Rachel Wood), along with a small group of friends and musicians, are swept up into the emerging anti-war and counterculture movements, with "Dr. Robert" (Bono) and "Mr. Kite" (Eddie Izzard) as their guides. Tumultuous forces outside their control ultimately tear the young lovers apart, forcing Jude and Lucy – against all odds – to find their own way back to each other.
Check out the website.
--Kate

Tuesday, August 07, 2007

Polygamists, Vagrants, Anarchists, Oh My.

Recently I was working my way through some of my grandmother's papers. Among them were her immigration papers including certified letters of people back in Canada testifying they were willing and able to support her during her time in the United States. Below is a section of some immigration paperwork dedicated to the issue of "excluded aliens." The wording was interesting to me, though not particularly surprising. This was from the late 1930's. I wonder what it reads like today.



--Kate

Saturday, August 04, 2007

Fiction Breeds Fiction.... Welcome Back, Gatsby!

There's been a recent wave of fiction that further explores other works of great literature. Most notably is Gregory Maguire's Wicked, which offers insight into one of literatures's greatest "baddies"--the Wicked Witch of the West. Two others calling my name are Finn by John Clinch. The namesake of the title, is not Twain's well-known Huck, but Huck's father, "Pap." Next is a book I've picked up but still not found time to read -- March by Geraldine Brooks. This book imagines the Civil War experiences of Mr. March, the absent father in Louisa May Alcott's Little Women. Some would consider Jasper Fforde's Thursday Next novels to be on the same ilk, I disagree. While they seem to be filled to overflowing with literary allusion, they go FAR beyond any original stories into their own fantastical world.


Recently a friend directed me to read Double Bind by Chris Bohjalian. I read Bohjalian's Midwives and it seemed a bit Oprah-book-clubesque, but after reading the descriptions of this novel I am willing to give it a shot. I am a lover of The Great Gatsby and I just can't resist the idea. The book doesn't release to paperback until February 2008, so I may have to see if I can get my hands on a library copy for now.

Read the two reviews below and decide for yourself.

Fact and fiction become indistinguishable in The Double Bind: The story centers on Laurel Estabrook, a young social worker and survivor of a near-rape, who stumbles across photographs taken by a formerly homeless client and tries to understand how a man who'd taken snapshots of celebrities in the 50s and 60s might have wound up on the streets. However, an author's note tells us that Bohjalian conceived this book after being shown a batch of old photographs taken by a once-homeless man; and the actual photos of Bob "Soupy" Campbell are peppered throughout the text. In another neat twist, Bohjalian's resurrects details from The Great Gatsby, which become "real" in the context of his own novel--Laurel lives in West Egg; part of her hunt for her photographer's past involves meeting with the descendants of Daisy and Tom Buchanan.


As a writer who counts The Great Gatsby as one of the books that changed her life, this inclusion was both startling and remarkable for me. Who doesn't want one's favorite characters to come to life--even if it's only within the constraints of another fictional work? But Bohjalian chose his text wisely: no discussion of The Great Gatsby is complete without alluding to missed opportunities and unreliable sources--critical elements in Laurel's quest. And therein lies Bohjalian's true double bind: all stories--even the ones we tell ourselves--are subject to our own interpretation, and to the degree we can make others believe them.
--review by Jody Picoult

--excerpted from her review on Amazon.


Chris Bohjalian is back with an ambitious new novel that travels between Jay Gatsby’s Long Island and rural New England, between the Roaring Twenties and the twenty-first century.
When college sophomore Laurel Estabrook is attacked while riding her bicycle through Vermont’s back roads, her life is forever changed. Formerly outgoing, Laurel withdraws into her photography and begins to work at a homeless shelter. There she meets Bobbie Crocker, a man with a history of mental illness and a box of photographs that he won’t let anyone see. When Bobbie dies suddenly, Laurel discovers that he was telling the truth: before he was homeless, Bobbie Crocker was a successful photographer who had indeed worked with such legends as Chuck Berry, Robert Frost, and Eartha Kitt.


As Laurel’s fascination with Bobbie’s former life begins to merge into obsession, she becomes convinced that some of his photographs reveal a deeply hidden, dark family secret. Her search for the truth will lead her further from her old life—and into a cat-and-mouse game with pursuers who claim they want to save her.

In this spellbinding literary thriller, rich with complex and compelling characters—including Jay Gatsby and Daisy Buchanan—Chris Bohjalian takes readers on his most intriguing, most haunting, and most unforgettable journey yet.

--a random house review

--Kate

Friday, August 03, 2007

Le Notti di Cabiria (1957)



--Kate